Character-driven documentary shot with a cinematic eye — for broadcasters, brands, and independent filmmakers. From frozen backcountry lakes to broadcast factual, across Canada and internationally.
The best documentary work disappears — you forget there's a camera there at all, and you're just with the subject. My job is to stay close to the truth of a moment while still lighting and framing it like a film, so the finished piece feels honest and looks beautiful.
I've shot documentary and factual content for ARTE TV, AJ+, and brands and filmmakers on subjects spanning wildlife and conservation, sport, culture, and community.
Natural, well-lit interviews and observational coverage that let real people feel comfortable — and look their best on camera.
Solo or small-crew shooting with a compact cinema and audio package — built to reach backcountry and far-flung locations.
Cinematography in service of the edit — coverage and pacing that give the story room to breathe and cut together cleanly.
Shooting on frozen wilderness lakes in Kananaskis with figure skater Elladj Baldé and photographer Paul Ziszka — handheld on skates to keep pace across the ice, life jackets on for open water. A good example of the kind of remote, character-driven documentary I love.
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Character-driven and branded documentary — short films, broadcast factual, brand docs, and impact pieces. I've shot for ARTE TV, AJ+, and brands and independent filmmakers, on subjects from wildlife and conservation to sport, culture, and community, across Canada and internationally.
Yes. Documentary often calls for a light footprint, and I'm comfortable operating solo with a compact cinema and audio setup, or as part of a small focused crew — nimble enough to catch real moments while keeping the image cinematic.
Routinely. Based in Calgary, I work throughout Alberta, across Canada, and internationally. Remote and backcountry locations are familiar territory.