Commercials, branded content, and small-business advertising for agencies and businesses. Cinematic work that earns attention and holds it. Trusted by Wealthsimple, the Toronto Blue Jays, Save-On-Foods, and more.
Audiences scroll past advertising and stop for stories. A great commercial earns the difference — it carries the brand's message inside something people actually want to watch, with the production value to back it up.
From national broadcast spots to scroll-stopping social and longer-form branded films, I bring the cinematography — and, when you need it, full production from concept to final cut.
Broadcast and paid-social commercials with the polish a brand expects — concept-driven, tightly produced, built to perform.
Longer-form storytelling that builds connection rather than just pitching — the kind of film a company is proud to lead with.
Start-to-finish production for businesses that need the whole thing handled — concept, shoot, and edit, without an agency in the middle.
Not every project is a broadcast commercial. A lot of what I shoot for Calgary businesses is the connective tissue of a brand: a promotional video for a product launch or campaign, a brand video that tells the story behind the company, plus recruitment pieces, event coverage, and social cutdowns built to travel. The craft is the same as the commercial work, cinematic lighting, careful sound, and an edit that earns attention, just pointed at a different goal.
For Wealthsimple's Monthly Millionaire campaign I shot fast-turnaround branded content that still looked like a commercial, and that is the bar I hold on every piece: it should feel like your brand at its best, not a corporate afterthought. Whether you need a single hero video or a full library of social content, I can produce and shoot it end to end.
Pre-production is where a good commercial is made or lost. It's everything that happens before a camera turns on:
Creative development and scripting. Location scouting and permitting (Calgary and Alberta locations can be spectacular, but some require advance planning). Casting (on-camera talent, voice over). Crew booking, gaffer, grip, PA, hair and makeup, drone operator. Shot list and shot schedule. Equipment planning. Call sheet prep.
For a well-organised shoot, you want to spend at least as much time in pre-production as you do on set. I always do.
This is where everything comes together, and where the quality of your pre-production work shows. A well-prepared shoot day runs efficiently, stays on schedule, and doesn't leave anything important on the table.
Typical shoot days for commercial work range from 8 to 12 hours. Crew size depends on scope, ranging from a tight 3-person unit for social content to a 10+ person crew for a broadcast commercial. I own my camera and lighting package in-house, which keeps costs predictable and means I can move fast.
After the shoot, the footage goes into post: offline editing, colour grading, sound design and mixing, graphics and titles, and revisions. For most commercial projects, I build in two rounds of revisions, with a clear approval process so there are no surprises at delivery.
Good colour grading alone can make an enormous difference to how professional and intentional a commercial looks. It's not a step to rush or cut corners on.
A strong portfolio in the style you want, not just technically competent, but visually aligned with your brand. Transparent pricing and a clear contract. References from clients in a comparable category. A process that includes solid pre-production, not just a shoot day. And critically: find out who specifically will be on set running camera. Some production companies quote a senior DP and deliver someone junior. At DCFOTOFILM, I'm on every shoot personally.
It depends on scope — crew size, shoot days, locations, talent, and post. A one-day branded social piece is very different from a multi-day broadcast commercial. The best path is a short conversation about the goal and budget so the production fits. For a full breakdown, see my Calgary video production pricing guide, or reach out for a quote →
Both. I partner with advertising and marketing agencies as their DP or production partner, and I also work directly with businesses on commercials and branded content from concept through final delivery.
A commercial is usually a short, polished spot built to sell or promote, often for broadcast or paid social. Branded content is longer-form storytelling that builds a brand through emotion or narrative rather than a direct pitch. Both use the same cinematic craft, and I produce and shoot both.